
Tuesday, December 29, 2009
Belated Review of Micachu and The Shapes @ Pop Montreal 2009

Monday, December 21, 2009
Miles Benjamin Anthony Robinson - The Sound
Summer of Fear Voted #1 Album by Omaha World-Herald

Wednesday, December 16, 2009
Friday, December 11, 2009
Francis and The Lights First Show in San Francisco - 12/29

Tuesday, December 8, 2009
SPIN Magazine's 40 Best Albums of 2009

Thursday, December 3, 2009
Wednesday, December 2, 2009
Paul Morley's Showing Off... Matthew Herbert
Micachu and The Shapes Poised to Follow Animal Collective in 2010
Sunday, November 29, 2009
Pyramiddd: From Starfuckerss to Future Stars?

Wednesday, November 18, 2009
Miles Performs "100th Of March" in Minneapolis
Friday, November 13, 2009
Tuesday, November 10, 2009
NYMag's 40 Songs That Define The Brooklyn Sound
Wednesday, November 4, 2009
Tuesday, November 3, 2009
Monday, November 2, 2009
Pre-sale link for Limited Edition Pyramiddd Vinyl!
Pyramiddd UK Tour Dates
Francis And The Lights - NEW SHOW!
Tuesday, October 20, 2009
Summer of Fear OUT TODAY!
Thursday, October 8, 2009
Miles Benjamin Anthony Robinson Fall US Tour Dates
10/8 The Fillmore at Irving Plaza, NYC
10/10 9:30 Club, Washington D.C.
10/15 Terrace F. Club, Princeton
10/22 Knitting Factory CMJ Showcase, Brooklyn
10/23 Le Poisson Rouge CMJ Showcase, NYC
10/24 The Black Lodge, Philadelphia with Warpaint
10/25 Twisted Branch Tea Bazaar, Charlottesville, VA with Warpaint
10/26 Player's Chapel Hill, Chapel Hill with Warpaint
10/27 New Earth Music Hall, Athens GA with Warpaint
10/28 Spanish Moon, Baton Rouge LA with Warpaint
10/29 Emo's Music Lounge, Austin TX with Warpaint
11/1 Solar Culture, Tuscon AZ with Warpaint
11/2 Modified Arts, Phoenix AZ with Warpaint
11/4 Spaceland, Los Angeles CA with These United States
11/6 Hotel Utah Saloon, San Franciso CA with These United States
11/9 High Dive, Seattle Washington with These United States
11/10 Media Club, Vancouver BC with These United States
11/13 Turf Club, Minneapolis MN
11/14 University of Wisonsin, Madison
11/15 Reggie's, Chicago IL
11/16 The Cafe, Detroit MI with These United States
11/17 The Drake, Toronto ON with These United States
11/18 Il Motore, Montreal QC with These United States
11/19 The Bell House, Brooklyn NY with These United States
11/20 Mercury Lounge, NYC with These United States
The xx 'Basic Space' Micachu Remix
Monday, September 28, 2009
Micachu, soundtrack of healthy girls
Starfucker Videos on SPIN Earth TV
Check them out here!
Saturday, September 12, 2009
two avant garde musicians walk into a bar...
That's Bjork.com, as in the official website of Björk.
Check it out here.
Tuesday, September 8, 2009
Starfucker Name Change Contest!
New tour poster for Starfucker's tour, which starts tomorrow in Boise. HOT!Here is a little message from the band:
There are two ways to vote for Starfucker's new name.
*Email your idea to:
newnameideas@gmail.com
OR
*Vote in person at the merch table at a show
This will be our last tour as Starfucker!
If your name is selected, you will get tons of cool shit
Deadline for ideas is October 1st-ish
This is weird, i know...
Monday, September 7, 2009
Starfucker on Weeds!
Wednesday, August 19, 2009
Miles Benjamin Anthony Robinson- Sneak Peek on Dazed Digital
Monday, August 17, 2009
Sonar 2009 Guide Features Micachu & The Shapes
Thursday, August 13, 2009
Miles Benjamin Anthony Robinson Signs to Saddle Creek, US Tour Dates TBA

Miles Benjamin Anthony Robinson Signs to Saddle Creek Records
New Album Summer of Fear Out October 20th
Four Week US Tour To Be Announced Soon
NPR: "Robinson has a style and flair all his own. His emotive, at time tormented rock rides on the clamor of discordant guitar jabs, tinny drums, and pained singing."
Pitchforkmedia: "...lives up to those impressive connections, pouring a woodsy, deceptively simple folk song through the damp, woozy atmospherics of Horn of Plenty. The proper setting could be a rowdy bar as easily as that record's quiet bedroom."
Time Out New York: "Local singer-songwriter Miles Benjamin Anthony Robinson, whose sidemen have included members of Grizzly Bear and TV on the Radio, plays garagey pop with winning psych-era melodies."
WOXY.com: "...with the extra layers of instrumentation and emotion, MBAR is a musician in nobody's shadow, and and deserves your attention."
Dazed and Confused: "...veering from anthems of defiance to ballads of vulnerability."
Kip Malone, TV on the Radio: "He is in my opinion without a contemporary rival when it comes to storytelling. Creating nuances, breathing character portraits inside of pop structures. Like a lot of good music his songs feel like they are filling a predetermined space, like the ether was just waiting for him to connect the dots and give voice to them."
What did you do last summer? It's a simple question, really; enough to provide the plot of a Jennifer Love Hewitt film, written by the dude from Dawson's Creek.
Simple unless you're Miles Benjamin Anthony Robinson. Here's his story from a couple summers ago, its pages turned in no particular order: Bitterness. Regret. Betrayal. Bouts of self-loathing. Burning buildings and falling bodies. Breakups and new beginnings. Numerology. And endless nights at the same Brooklyn bar—lots of last calls that drop you in the arms of another, in the death grip of decisions that are wrong in retrospect yet oh-so-right...right?
"The summer of 2007 was like that episode of Seinfeld, where everyone decides to do the opposite of what they're supposed to do," explains Robinson. "So instead of going home to your girlfriend or whatever at night, you'd just stay at the bar and let someone inappropriate take you home. It was a bad joke at first, like a terrible '90s movie unfolding before our eyes. It became an awful unravelling. 2002 had it's revenge."
A movie you'll want the DVD of later; a movie by the name Summer of Fear. It's got a hell of a soundtrack, too, the culmination of years spent in eight-track studios, cypher-fueled jam sessions, and dicey club dates that often ended in fist fights and broken glass. Not to mention a revolving door of collaborators that helped Robinson work out the kinks in his skewed pop hooks and melancholic melodies, including the Grizzly Bear members (drummer Christopher Bear, multi-instrumentalist/producer Chris Taylor) who worked on Robinson's self-titled solo disc several winters ago—the winter before the fear set in. As acclaimed as Robinson's debut was when it finally received a proper pressing in 2008 (a CD-R version first infiltrated Brooklyn in late 2006), the effort was meant to be a glorified demo, a proper introduction to Robinson's solo direction after the dissolution of his longest-running band, Jackson Plastic. Summer of Fear is what happened six months later, as life alternated between darkness and light, and spare bedroom songs blossomed into speaker-popping arrangements of sweeping strings, honking horns, and chords that cut so deeply they're bound to leave a mark. A biting cross-section of Petty and Dylan, Pavement and Fleetwood Mac, delivering a eulogy to yesterday and the curtain-drawing promise of another day. Not just any day, either; a day Robinson's determined to seize on an international stage, with a battered guitar by his side and a four-alarm fire in his chest.
"Listening to it now," says Robinson, "It's like someone banging on a door really hard, until they start throwing their shoulder into it....then someone on the other side simply opens it and on the next lunge the solicitor goes hurtling across the threshold. It's well-produced, but there's a lot of frustration and rage on the record. Every song has a point of catharsis."
TV on the Radio's Kyp Malone—a close friend since the pair met en route to a Grizzly Bear show in 2005—helped bottle Robinson's bruised hymns last winter, ramping up the tension in such standout tracks as "Death by Dust," "Summer of Fear pt. 2," "The Sound," and the 11-and-a-half draining minutes of "More Than a Mess," a haunting epic that deserves its own short film. (Or more than half of Side D; Summer of Fear is spread across two LPs like one of Robinson's favorite records, Tusk.) Since they both "have a tendency toward a generally and hilariously doom stricken worldview," Malone also understood what Robinson was going for with his redemption songs. After all, he was there that summer. He saw it all go down, and now that he's heard the whole thing told through Summer of Fear's relentless and raw tone poems, he can't wait to see what Robinson comes up with next. (Robinson is desperate to record his third record—yes, already. Written last year in the midst of touring to support his unexpected self-titled debut, he describes the disc as containing,"actual songs...as opposed to vaguely melodic litanies of grievance.")
Monday, August 10, 2009
Starfucker on Tour!

“While most retro aesthetes are funny once bores, Starfucker’s party trick is a thriller.” Spin 8/10
"The kids love Josh Hodges' low-fi dance-pop steez, and they show up in droves whether he plays house parties or clubs." Willamette Week
What began with Josh Hodges solo at an underground Portland show and an overflow of ideas, has quickly become one of the most vibrant young acts to come out of the Pacific Northwest’s musical hotbed. Josh began the project in 2007 with just a stripped-down drum kit, a loop pedal and a microphone and soon began collaborating with friends and fellow musicians Ryan, Shawn and Keil. Each of the guys, with their many unique talents and impressive stage presence, have helped to make Starfucker the tour de force that it is today – a tight-knit group who brilliantly meld electronics and incredible musicianship into each other-worldly and mesmerizing track.
Be sure to check out the video of the track “Medicine” for a taste of what’s heading your way: http://www.youtube.com/watch?
Upcoming dates in full:
09/04/09 Portland, OR @ Doug Fir (early & late show)
09/09/09 Boise, ID @ Neurolux
09/10/09 Salt Lake City, UT @ Kilby Court (early show)
09/10/09 Salt Lake City, UT @ Urban Lounge (late show)
09/12/09 Morrison, CO @ Monolith Festival
09/14/09 Sious Falls, SD @ Nuttys
09/16/09 Chicago, IL @ Empty Bottle
09/17/09 Urbana, IL @ Courtyard Café (Pygmalion Festival)
09/18/09 Pittsburg, PA @ Brillobox
09/19/09 Buffalo, NY @ Mohawk
09/21/09 Boston, MA @ Middle East Upstairs
09/22/09 Brooklyn, NY @ Bruar Falls
09/23/09 New York, NY @ Santo’s Party House
09/25/09 Haverford, PA @ Bryn Mawr College - Lunt Basement
09/26/09 Durham, NC @ Duke Coffee House
09/28/09 Nashville, TN @ The End
09/30/09 Denton, TX @ Hailey’s
10/01/09 Austin, TX @ Mohawk
10/04/09 Phoenix, AZ @ Modified Arts
10/05/09 San Diego, CA @ US San Diego - The Loft
10/06/09 Los Angeles, CA @ Echo
10/07/09 San Francisco, CA @ Bottom of the Hill
10/09/09 Seattle, WA @ Vera Project
10/10/09 Vancouver, BC @ Biltmore Cabaret
Monday, July 27, 2009
Friday, July 10, 2009
Monday, July 6, 2009
Tuesday, June 30, 2009
Starfucker 8/10 in SPIN
Friday, June 26, 2009
Friday, June 19, 2009
Vote for Miles on Radio 2!
Each week, hosts Mark and Stuart pick four new tracks and it's up the audience to vote for their favortite. The winning track is played every day the following week!
Pick 'n' Mix voting closes 12 noon on Monday June 22! So email now to cast a vote for your fav Brooklyn troubador.
vote by email! radcliffe.maconie@bbc.co.uk
or vote online at The Radcliffe & Maconie Show here
Friday, June 12, 2009
SPIN Shout-outs to Miss Management Artists x2
Eat Your Breakfast!

Have we properly introduced Starfucker? They hail from Portland, OR and they bring ze danze. They are on heavy rotation around the Miss Management HQ and we are so pleased to have them as family. Go check out the myspace, duh. And here is a show poster--omg, heart!
Thursday, June 11, 2009
Saturday, May 30, 2009
Miles Benjamin Anthony Robinson SXSW Video!
Friday, May 22, 2009
Micachu at Sonar Festival
Friday, May 15, 2009
Listen to Great Tunes, Support a Great Cause

Two of Miss Management's favortite folks, Devendra Banhart and Jeff Antebi, have a great new album we want you to know about...It's called Causes 2 and it features rare and exclusive songs from some of the most compelling artists in the indie and alternative worlds: Black Mother Super Rainbow, The Decemberists, Devendra Banhart, Diplo, Federico Aubele, LCD Soundsystem, Matthew Dear, Mum, My Morning Jacket, Neon Neon, Richard Swift, RJD2, and Sharon Jones & the Dap-Kings, as well as a contribution from Adult Swim's Tim & Eric.
AND the best part is that 100% of the profits from this album are going to Human Rights Watch, Doctors Without Borders, and Oxfam to help those still suffering in Darfur. It's like making a donation to a good cause and gettin an awesome CD for free!
You can get Causes 2 on itunes here
Rad!
Sunday, May 10, 2009
Tuesday, May 5, 2009
Wednesday, April 29, 2009
Miles Benjamin Anthony Robinson - Mercury Lounge Show
Monday, April 27, 2009
Micachu Collaborates!
Monday, April 20, 2009
Friday, April 17, 2009
Micachu Pitchfork Track Reviews
Here are track reviews for Golden Phone and Calculator.
Brian Howe writes, "Other bands, are you even trying? We choose you Micachu!" Wowza.
Miles Benjamin Anthony Robinson UK Press
Fun Micachu Press
Wednesday, April 15, 2009
Micachu + Jewellery = 7.9
The first sound on Micachu and the Shapes' debut album is an acoustic guitar, so what else is new. But what Mica Levi is playing isn't a chord anyone's heard before-- it's a dry, gnashingly dissonant cluster, and she's hammering away at it very intentionally. A few seconds into "Vulture", she's joined by the other two members of the band, drummer Marc Pell and keyboardist Raisa Khan, who act as if Levi's actually just playing some kind of giddy surf riff. By the time the song skids to a halt, less than three minutes later, it's made a few hairpin turns into and back out of grime/carousel-music fusion while Levi's been chanting and whooping lyrics about her inedibility in a proud, largely indecipherable LDN accent. On a first listening, it's maddening noise; by the fourth or so, it's as catchy as a jingle.
Jewellery is a chaotic record, and an enormous mess. It's also, pretty much, the freshest thing to come along so far in 2009. Levi belongs to the generation that's grown up with the total availability of every kind of music ever, and she wants to play it all at the same time as she's text-messaging, so it's a good thing that pop plus anything equals pop. She's got highbrow compositional bonafides ("influences" listed on the band's MySpace page: "harry partch, and all those other guys"); she's got some U.K. hip-hop cred (her mixtape Filthy Friends is even more of a pileup); she's a little bit rock'n'roll (the fuse that ignites the album's best song, "Calculator", is the guitar riff from "Tequila"). "Sweetheart" is a high-tech, neon-butterfly take on the hardcore punk two-step. At least one song prominently features a vacuum cleaner. Nothing stays in place for more than a few seconds, but very often her avant-gardist and party-time impulses snap together, as when the scrape-and-tweak that opens "Lips" abruptly congeals into a wiry bhangra groove. It's not clear, though, how much the insanely clever arrangements are the band's and how much they're producer Matthew Herbert's.
At the center of this cyclone of jujubes and sandpaper is Levi's tart, snaggy voice, which occasionally recalls Lora Logic's dizzy trill but more often ducks down into the mix and clings to no more than a couple of notes. (It's probably perverse to wonder how awesome it would be if the group collaborated with a really good R&B singer.) Levi is one of the most androgynous-sounding woman vocalists I've heard in years-- pitch her down a percent or two and she could pass for Mike Skinner-- but her persona isn't quite post-sex: while most of her rare intelligible lyrics concern the romantic conundrum, they're generally brushing it off metaphorically ("I could eat your heart", she yodels) or literally ("I won't have sex 'cause of S.T.D.s").
Mostly, though, Jewellery is a vehicle to show off the band's hoard of shiny new sounds-- although they haven't yet figured out how to sort out the gemstones they've got in abundance from their ice chips and broken glass. It's not a record built for staying power, despite the thrilling moments in almost every song. But its failures mostly have to do with idea-overload and short attention span, which are very promising problems to have on one's first album. Levi and her band sound more like the future than the past, at a moment when we desperately need some more future, and as much as I've come to dig this album's awkward, brash cacophony, I want to hear what they do next even more.
— Douglas Wolk, April 15, 2009
7.9 |






























